October 23, 2014

Fashion Faux Pas

By: Darren Harris

Staff Writer

Summer is almost over and the season is beginning to change to fall, and along with the change of season, fashion seems to follow right along.

The summer fashions have seen a tremendous outburst of color such as violet tulip, freesia, white, placid blue, sand and dazzling blue in
jeans, shorts, blouses, shoes, and accessories.

So, what are the fashion mistakes to steer clear from when transitioning your wardrobe from summer to fall?

According to womens-fashion.lovetoknow.com, one of the biggest mistakes women make during the fall season is “mixing prints,” where “florals don’t complement plaid, and paisley doesn’t work with polka dots.”

This column is not saying not to wear prints, but instead, ensure that you’re going to wear a solid color that will complement the print blouse of your choice.

Priscilla Sanchez, a John Jay student, said “every girl should have a cute print top, but they shouldn’t overdue it, and that seems to be the issue i have noticed a lot on campus is the print can sometimes overpower the entire outfit.”

Another fashion mistake during the fall season according to www.gurl. com/fashion-mistakes-faus-paux is “not layering properly,” and the importance of layers for the morning, afternoon, and evening outfits.

New Yorkers tend to experience the emotions of the weather changes, and it’s important that they layer properly through the day.

Barrie Nulman, a John Jay student, said “I always try to wear a good amount of layering during the fall season, because I know that the weather can change during the day, and it’s essential that I wear layers that not only complement my style but also the New York weather.”

What about snow or rain boots? Should you bring an extra pair of shoes to change into once you reach your destination? During the fall season, New York City can experience large amounts of rain and snow that can often kill even the most pre- pared fashionista. Rain or snow boots can conflict with the style of an outfit if they aren’t form fitting to add to the appearance. In a recent poll at John Jay, 85 percent of students voted that it is easier to keep their rain or snow boots on throughout the day instead of changing into shoes. Students, such as Denise C. Taylor, hassle with keeping on wet boots. “Although it is easier to just keep the boots on, they become difficult to walk in, and really kill the look on a girl’s outfit,” said Taylor. In this case, looks come over comfort. According to John Jay student Marcela Nash, “style outweighs comfort any day and it’s just a fashion nightmare to wear rain boots that do not compliment someone’s outfit.”

If a person decides to wear rain or snow boots, then try to choose a neutral color that can be worn with multiple outfits. Fashion is always evolving and changing, and it’s important that fashionista’s stay on top of their wardrobe to ensure that they don’t become fashion victims during a season that often demands you to choose between comfort or style. Looking at the trends that are perfect for the fall and winter seasons, such as robe coats and dresses over pants, one must be

careful with these looks as they can make or break an outfit. There are statement making trends this fall season, and if

you’re selective yet fashion forward with your style, you’ll be making heads turn.

College Initiative Program

By: Edir Coronado

Contributing Writer

One of the main issues with the prisonsystem is the recidivism rate. A New York based program has begun education programs in prisons, and with great success has allowed its participants to become contributing members of society. With 300 participants, only one returning to jail, and most students receiving a bachelors degree, it is safe to say that the program is showing results.

Ray Tebout, the director of counseling and mentoring at the program, explained how the College Initiative program allows former inmates to attend college by debunking some of the barriers they believe they will encounter.

Tebout understands the mix of different personalities the staff deals with and the obstacles both the student and mentor must overcome.

Some of the common obstacles Tebout sees among the younger students is the desire for instant gratification. He said the most common questions among these less experienced individuals are “why should I invest two to six years in school?” or “why not pick a trade or get a job?”

Tebout tackles these questions by providing evidence that an education will reduce the likeliness of a return back to prison. He also approaches this situation by helping the younger potential students in terms of long term goals.

Skeptical students are asked by Tebout to look at how much income they will accumulate over a lifetime rather than the short term. According to Tebout, a high school graduate can expect to earn an average of 1.2 million, someone with a bachelors can earn upwards of 2.1 million, and a masters graduate in the 2.5 million range.

These statistics gives the young students a different perspective on life and education.

Among the more seasoned individuals what is most commonly seen is the lack of knowledge when it comes to computers and technology. Many of the older students might have went to prison when the internet had not become such a big tool or when computers were not easily accessible.

Older generations of inmates face a major issue due to not being involved in a world that has rapidly become digitally influenced.

One 70- year- old student in the program, who asked to remain anonymous, has been in prison for more than 30 years. This individual had major issues with the use of computers. At the moment, he is currently finishing up his first semester, which is a huge success for someone who may have given up if not for the support that the College Initiative program has given them.

The program doesn’t only rely on its staff to support the incoming students, they rely heavily on peer mentorship. Through experience they have realized that a student is more likely to drop out of college during their first year.

This is why, after several months of working with a staff member, the students enter a peer mentorship program, where a fellow program participant with a 3.0 GPA and at least a year of college under their belt becomes a mentor to the new student. They serve as a support system for the student if they have problems with a subject matter or maybe a need to just vent about their frustrations with school.

Frustrations can include being the discrimination that they encounter because of their prison history. Tebout explained that the students within the program are scrutinized, “it is not necessarily the organization that is receiving negative feedback from the community, but the student themselves.”

Some reasons and common arguments of those opposed to an educational tactic towards the rehabilitation system often revolve around “we do not want to make smarter criminals,” according to Tebout. Tebout believes “we are not making smarter criminals, we are creating individuals with a different way of thinking.” His meaning is that when a person is exposed to education, he or she has the ability to create better options and make better decisions.

Tebout claims that if we were to look at our incarcerated in terms of employment, people can see that for many, selling drugs is the only job around. According to the Federal Bureau of Prisons Drug offenses account for 48.8% percent of all incarcerated American. Homicide, Aggravated Assault, and Kidnapping offenses account for 2.8 percent of the prison population, sex offenses for 6.5 percent, robbery 3.7 per- cent, and weapons, explosives and arson account for 15.8 percent.

What the College initiative programs aims at doing, is taking this prison population, and showing them a different method of succeeding in life that they might have not been exposed to in the past.

The program has gained awareness through word of mouth and by sending their staff members to different location to speak about the program and the issues that they are trying to resolve through education.

Know Thy Selfie

By:  Jose Oropeza

Contributor

If you have an Instagram or Facebook account, chances are you’ve seen one. Sometimes with more than one person, and often with a “#” symbol in the caption.

The selfie, a trend that took social media by storm, rose to hashtag status shortly after the introduction of smartphones – specifically the iPhone 4, which was released in 2010 and came with a front-facing camera.

In 2013, “selfie” was made ‘word of the year’ by Oxford Dictionaries, and is defined as “A photograph that one has taken of oneself and…uploaded to a social media website.” Researchers at Oxford found recorded uses of the word “selfie” rose from less than 500 per billion instances in January to more than 5000 per billion instances in October.

Although the concept of the selfie is by no means new, recent events like Ellen DeGeneres’ selfie at the 2014 Oscar’s ceremony caused a record breaking, re-tweeted selfie, that crash Twitter. The 2014 EDM song “Let Me Take A Selfie” has given the term new levels of popularity.

Judith Naeignacio, a John Jay sophomore, shared her outlook about selfie content: “These people do the duck face, their tongues sticking out like Miley Cyrus. Trying to look silly and cute, sucking in their stomachs and pouting. Some people are narcissistic.”

Two years after its first 2002 online appearance in Australia, social media outlets like Tumblr have been using “selfie” as a hashtag. Since then, users having been referring to self-taken pictures as such.

Younger people post more selfies on Instagram than older users. In New York City, the average age of people that post selfies is 25.3, a study conducted by the CUNY Graduate Center found.

The Mental Health Association is buzzing about Selfie addiction dominating places like Facebook, Twitter, and Instagram. Even astronaut Steven R. Swanson got in on the fun. While in orbit, he one-upped his peers by being the first to Instagram a selfie from space.

Selfies are 38% more likely to receive a ‘like,’ and 32% more likely to receive comments when compared to snapshots of places, a Georgia Institute of Technology study found.

Women were found to be more likely to take selfies than men, according to the GIT study. They are also 150% more likely to tilt their head in the selfie.

Women who base their self-worth on their appearance are more likely to post selfies and maintain a large following on social media sites, a SUNY Buffalo study found.

Nikita Shurygin, a freshman at John Jay, doesn’t find the study hard to believe. “I think people who take a lot of selfies are trying to draw attention to themselves.  Maybe they have self-image issues,” he said.

And self-image issues can lead to greater problems. Danny Bowman, a 19-year-old from Britain, spent 10 hours taking selfies on one occasion.  He skipped school, lost his friends, and attempted to take his own life after not being satisfied with the quality of his seflies, The Independent reported.

“People take this selfie stuff way too seriously,” Shurygin said shaking his head. “It seems like selfies on Instagram and the ‘likes’ they receive socially rank people.”

But selfies are not to blame, some experts say.

“Clearly there’s something more going on. Selfies were just a medium [Bowman] was using. It’s not the selfie that’s the problem,” Deborah Miller, a certified school psychologist, said.

“He sounds like he has obsession, and clearly, self esteem issues. His suicide is not connected with selfies, nor are selfies a cause of what occurred.,” Miller said.

Cognitive Behavioral Therapy (CBT) is a treatment offered to combat this trend of socially handicapped individuals. According to the Beck Institute, CBT “helps people identify their distressing thoughts and evaluate how realistic the thoughts are. Then they learn to change their distorted thinking. When they think more realistically, they feel better. The emphasis is also consistently on solving problems and initiating behavioral change.”

Regardless of emerging statistical evidence concerning selfies, they might be helpful to individuals.

“Young adults in college are typically very concerned with their appearance, and when they can take photos of themselves when they look their very best – that’s important,” Miller said.

Selfies can boost a person’s self-esteem, Miller argues. “Individuals are able to stage how they look, and post photos that they find to be most attractive. It’s a quick fix for issues concerning self-confidence, and self-esteem.”

Well, thank goodness for selfies. #winning 

Marcela Sanchez contributed to this article. 

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Uncertain Future for Horse-drawn Carriages

By Fathema Ahmed

Staff Writer

Frank Riccobono has been a horse-drawn carriage driver for nine years. His father was also a carriage driver. To him it is a family business. He even claims that his horse Angelina is part of his life.

“This is a piece of history that’s left. It’s a tradition,” said Riccobono.

Horse-drawn carriages have traveled the streets of Manhattan since 1858. Central Park  carriages can be seen as far as 34th Street.Long known  to be a tourist attraction, the carriages are facing opposition with many wanting to ban them including Mayor Bill De Blasio.

Mayor De Blasio has vowed to ban horse-drawn carriages saying that they are inhumane and outdated. The mayor wants to replace the  carriages with vintage-replica electric cars. The mayor says this move will be good for the environment while also helping the carriage drivers   stay employed. The horses will be sent to live on rescue farms.

horse-drawn carriage pic 11

By: Jenifer Valmon Horse-drawn carriage in Central Park.

De Blasio is not the first to raise the issue of whether or not horse-drawn carriages are humane. Animal rights activists such as People for the Ethical Treatment of Animals (PETA) have been advocates for banning the carriages, because they believe that horses are mistreated and overworked.

“The carriage industry subjects horses to miserable weather extremes,the dangers of congested traffic,and crowds and also retires them to dark, damp concrete stalls at the end of a long, strenuous workday. Instead of gazing in green pastures, horses used for carriage rides in the city live a nose-to–tail pipe existence,” PETA representative Ryan Huling stated in an email.

Riccobono has his own thoughts, “There are three sides to the story, their side, our side and the truth,” Riccobono said about horse-drawn carriages being inhumane.

While there are many who are for banning horse-drawn carriages, there are others who oppose the idea. According to a Quinnipiac survey from March 19,64 percent of those polled were against banning horse-drawn carriages while 24 percent were for it.

“It would be a shame to lose something that’s so instantly identifiable with New York,” stated Penny Faith, a tourist from London who was taking a stroll in Central Park on a recent morning.

Stephen Malone and his horse Tyson in front of Central Park

By: Jenifer Valmon Stephen Malone and his horse Tyson in front of Central Park.

Susan Somerville agreed that the carriages are an essential tourist attraction, It would be a drop in revenue for the city. Tourists come specifically to ride the horse-drawn carriages,” said Somerville.

There are five major stables involved in the industry. They are all on the far West Side of Manhattan from 37th Street to 52nd Street around 11th and 12th Avenue. These stables are Bryne Stable, Westside Livery, Shamrock Stable, Chateau Farms and Clinton Park.

To get to work, the carriages usually travel up 10th Avenue to the Central Park area, which begins at 59th Street. When returning, the carriages go by 9th Avenue to get back to the stables.

“I believe that it’s mainly not about the horses. It’s more about the real estate property where horses are located on the West Side,” stated Riccobono.

Riccobono also explains how he would be affected if the carriages were to be banned, “I wouldn’t know what to do if they got rid of the horse-drawn carriages. It’s all I’ve been doing.”

Adam Lee standing next to his horse in front of Central Park.

By: Jenifer Valmon Adam Lee standing next to his horse in front of Central Park.

On average, a New York City carriage horse works for four years. PETA states that when it is no longer able to work the horse is often taken to a slaughterhouse instead of being able to retire to greener pasture since it is more cost effective.

“I think it’s good that they’re thinking of banning the horse-drawn carriages, because you don’t know how those animals feel, you don’t know how those horses feel, you’re using them for those people to go around. I think it’s inhumane,” said Daisy Lozano, a junior at John Jay College of Criminal Justice.

“There’s other ways to get around the city. Tourists don’t have to be sitting on the carriages. It’s not the end of the world for them. The one’s that are suffering are the horses,” added Lozano.

There are approximately 350 carriage drivers in the city. Over 200 horses are used for the horse-drawn carriages and only 68 carriage horse medallions or licenses in the industry. There are no restrictions as to when the carriages can go to and from Central Park. They are even allowed to travel during rush hour.

Horses lined up in front of Central Park.

By: Jenifer Valmon Horses lined up in front of Central Park.

Carriages can not operate above 89  degrees, or below 19 degrees and during blizzards. The carriage capacity is four adults, or three adults and two children under the age of 12, or one adult and four children under the age of 12.

A standard carriage ride is 50 dollars for up to twenty minutes, plus 20 dollars for an extra 10 minutes. On Mondays and Fridays, rides start at     10 AM and 9 AM on Saturdays and Sundays.

Many cities have already banned horse-drwan carriages. These cities include Las Vegas, Reno and Santa Fe.

“There are more entertaining ways to take in the sights of New York. Bikes, pedicabs, rickshaws, segways, and other human-propelled modes of transportation are fun, cruelty-free alternatives to carriage rides. And as an added bonus, the proposed eco-friendly cars will finally get rid of the horse droppings that inevitably accompany carriage rides as guaranteed romance killers!” stated Huling.

DeBlasio had pledged to act on this plan in his first week in office. As of now, there is still no bill that has been introduced. There has also been no timetable set for these actions to take place.

horse-drawn carriage pic 12

By: Jenifer Valmon Horse-drawn carriage on path in Central Park.

“We’re considering a range of options that move the horses off our streets, safeguard the animals and protect the livelihoods of the men and women  who provide carriage rides,” DeBlasio’s press office stated in an email.

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NewsFeed: Murder Is Down, But Why?

English: A federal agent making an arrest duri...

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This year alone New York City has experienced its third lowest homicide rates of 502. The lowest being in 2009 of 471 and the second being in 2007 of 499. The decline in homicide is also more significant or sharper in the city than anywhere else in the nation. Mayor Bloomberg attributes the decrease to the work of police and fire departments but experts are not too sure about that. Experts such as Andrew Karmen, sociology professor at John Jay College of Criminal Justice, attributes the decline to the current lifestyle of young adults. Karmen believes because young adults from ages 18 to 24 are attending colleges,  they are less likely be murdered then young adults that do not attend college.

Dialogue In The Dark

Ever wonder how it would feel living without one of your five senses? Living with just the ability to hear, smell, touch, and feel without the capacity of seeing what’s around you. What would your reaction be, having your sight being away by nature from your everyday life?

“Dialogue in the Dark”, an exhibition at the South Street Seaport in the same facility as Bodies The Exhibition, is an experience in which you are blinded from the world and you cannot see anything but pitch darkness. Explorers will discover how it feels to be blind as you walk through a simulated version of New York City. You go through Central Park encountering the aroma of flowers and hotdog stands. You continue by shopping for your necessities at an A&P Supermarket, crossing the street through traffic, and most importantly riding the subway. The only things that accompany and guide you is your tour guide, your four senses, your blind stick, and the family you create with other people during the experience.

As the tour progressed, I began to help other members in and we soon became a family together. We made sure that all of us were at each stopping point. We yelled for each and held hands as we made our way through the streets of NYC. We didn’t leave anyone behind. I was afraid to play a part of this exhibition at first because I came there alone, but as the minutes went by, I felt bonded with these people that I have never met before in my life.

As the tour was coming to an end, Angelo Quinones, our tour guide, sat with us at a round table. Quinones then began to describe the purpose of this exhibition. He stated that “this field trip had the purpose of people gaining a realization of how to appreciate life more deeply as we live through it every day. The exhibition is going to be widespread. So many people would learn how the blind interact and dialogue through pure darkness. Exhibitions in Argentina, Germany, Italy, Russia, Japan, Israel, and China have been open so far but the main objective is to have it open even further across the globe so people could gain an experience from this tour.”

When a tourist asked, “were you always intending to work in New York exhibitions?” Quinones responded “I wasn’t expected to work in New York. I always wanted to work in the exhibition that’s located in Atlanta because the museum has a boat instead of a subway and people tend to sometimes get wet.”

He describes his life of being blind in this way, “it was not easy, but as the days get by, the darkness becomes friendlier since you are not part of that loneliness anymore.” As he finished with saying a “goodbye” and receiving a round of applause for the valuable educational mission that everyone had accomplished, he wished that “everyone would pay a visit and experience this tour as memories would emerge from them, along with excitement.”

Throughout the exhibition, it taught me how to be really appreciative of what I have, including to respect the people who are blind without the ability to see nature and the world that revolves around them as we see it. It also taught me a way to communicate in a different attitude, a process that I have never experienced doing in my life. This sensitivity was hidden inside of me but was discovered during a long period of darkness. The only way you could discover your ability is if you visit the exhibit, as it will engulf you with its unforgettable message. The Exhibition is located by the 2, 3, 4, 5, A, C, and J trains at the Fulton Street Station. It cost less than $25 dollars to enter and it is worth every penny.